Carl and I started watching Six Feet Under this summer. This is my first time watching. When the pilot aired in 2001, I knew my mother’s death was inevitable, but neither of us could face that truth. We pretended she’d recover, that kidney failure in a type-one diabetic was just a temporary thing. I, along with much of the nation, had also watched the twin towers collapse on live television. Death hung over everything that year, but I thought Six Feet was weird and morbid. I wanted nothing to do with it.
Carl, who lived across the country from me, was starting seminary. He loved the show, all its rituals and questions about life and death and truth. He watched weekly with his friends. At the time, we didn’t know each other. But back in 2001, one of my good friends was a Six Feet fan, and I’d hear about the show’s weekly episodes from her. She loved Six Feet because her father worked as an undertaker in central Pennsylvania. Funerals were their family’s business, and it had been that way for generations. When my mother died in April 2002, this friend was studying abroad. But that didn’t stop her from reaching out.
The day she learned of my mother’s death, she sent me yellow roses and a card. In the subsequent weeks, she left me thoughtful voicemails. She responded to my e-mails without missing a beat. Never once did she attempt to comfort me with irritating platitudes or vague offers of prayer. She understood there was no reason why my mother had to suffer, or why I had to face the rest of my life without a mother to guide me.
What I needed was to get through each moment, each day. Through it all, this friend stood by me. We didn’t know the term holding space back then, but that is what she did for me. She held space for my grief, and she didn’t flee, like many others did. I don’t blame them. Grief is terrifying, especially to twenty-one year-olds, many of whom have never even lost a pet. My mother’s death, and my own grief, reminded others of what they stood to lose, and many could not bear to look.
One of the reasons why I think Carl and I are drawn to Six Feet now– we binge-watched half of season four yesterday –– is because death feels like our family business, too. We both lost parents young. As adolescents and young adults, we saw our parents lose control of their bodies and hope. We stood at their funerals. We received diplomas and awards without them watching. Any child we have will grow up never knowing two essential grandparents. We will mourn our parents again and again. There is no finish line for grief.
Had I watched Six Feet back in 2001, I’d know how grief “comes and goes,” as Nate says in season four. I’d know grief feels more like an ocean than a highway. I’d know how unexpressed grief leads to greater pain, and that numbing through sex or drugs or alcohol does not lessen our suffering, but only ushers in greater despair. I’d know death stops for no one, but it is also not contagious.
I hope I’d understand that, at 21, I could not bring my mother’s body back, no matter how long and deeply I mourned. But I could return to her essence through my work as a writer and teacher and friend. Now I feel my mother’s spirit –– not her ghost, but the core of who she was –– when I hold space for others. When I make room for another person’s grief, I make room for my mother. In this way, I honor her death and her life. Rather than confining her to a grave or a memory, I make her expansive, like my own heart, which is one half hers, still beating, still alive, in the world.